Production and songwriting for your next release.

The full story: Havana → USA → Argentina →

How I work

1. 01 I listen to your material
   Send what you have — released or rough. I need to hear where you are.
2. 02 Direction proposal
   If there is a fit, I reply with a concrete take on where the sound should go.
3. 03 Production
   We work the track. Deadlines and deliverables agreed up front.
4. 04 Clear agreement
   A clear written agreement before we record.

Selected credits

• The Rainbow Friends Song (2022)

  Cuadradito y Circulito

  Songwriting & production — Julián Luis Morales is credited as a composer alongside Valentín Rodrigo Acevedo in Spotify and Shazam metadata. Label: Mani Entertainment.

  Where the saga started

• The Rainbow Friends 2 Song (2023)

  Cuadradito y Circulito, feat. Lynita and Chocoblox

  Songwriting & production — mix & master — credited in the official description: "Producción, mezcla y master: se7enbeatlab.com"

  Over 12 million views on YouTube

• Dulce o Truco (2023)

  Cuadradito y Circulito

  Production.

  Streaming on Spotify and Apple Music

• Himno al Éxodo Jujeño (2025)

  Los de Jujuy, with Micaela Chauque

  Production & arrangement, with Los de Jujuy and Micaela Chauque (building on a version he had arranged years earlier with Sergio Jurado) — "Producción audiovisual: Julián Morales para Se7enBeatLab" (La Voz de Jujuy)

  Original composition: Laureano Rodríguez (music) and Manuel Corte (lyrics)

  An anthem for an entire province

• VICUÑA

  Original score — used in the official spot for the Jujuy Film Commission (2019)

  From audiovisual commission to institutional screen

Behind these five credits is a console that hasn't moved in 17 years: Estudios HEM, in San Salvador de Jujuy since 2009, host to a good part of the region's recorded output — Maryta de Humahuaca, La Yugular Reggae, Memo Vilte, En-Canto, Los Dumba. The grounding is classical composition and theory, trained in Havana, followed by work across Cuba, the United States, and Argentina in radio direction and acoustic design for studios and theaters. One further detail sets this apart: alongside producing, he builds his own audio tools — proprietary DSP plugins and a public analyzer, both live on this site.